SMT:S new WM (Wave Motion) modules are planned to be marketed in January 2021 !
Std lenght 1200 and 600mm Width between 150-600mm
Some highlight options :
Absorbtion between 50-300 Hz
Using translucend acrylic makes it possible to illuminate the modules from the inside
A varity of acrylic designs
Fireproof version for example auditoriums and concert halls
SMT:S new WM (Wave Motion) modules are planned to be marketed in January 2021 !
Here is one fantastic video from Dennis foley
Check out the door at time stamp 5:50secs
Those diffusors at the back wall, they make the room larger ! And correctly mentioned, use wood for diffusion, do not use any cardboard or any other forms of material. They cannot beat the quality of using wood as diffusors
I always encourage the guys to go with diffusion for late reflections and use absorption on first reflection points. This worked wonderfully
Here is a brief note below by acoustic fields , also why noise control is so important
One day the realization happens. It’s a realization that should have happened before one even got into the car and started driving down the hi-fi highway. It’s the realization that you must have a room that will allow you to hear what your system is capable of producing. By building your own listening room, you have realized that you no longer need to spend money chasing a small increase in resolution or dynamics with new speakers and amplifiers and placing that gear in a room that may or may not let you hear that extra 10 K you just spent for a new amplifier or speaker. You have realized that spending more money on gear without a proper listening room is not the way to go. It never has been. It never will be.
Your first realization is that you must manage all noise issues from outside. Noise transmission from outside sources into your listening room will have a large impact on the presentation value of your system. Lowering the noise floor allows every nuance of your gear to be heard. It allows for the smallest design tweaks by the amplifier or speaker designer to be heard and appreciated. A low noise floor allows for the separation of notes and the space between those notes to be heard and felt. It is the darkness between those notes without any noise to get in the way. Noise is also a two-way valve where you must contain the noise within the room so it is not transmitting to other rooms or neighbors. Containing all full range noise from your speakers will benefit all issues that will result from not properly managing low, middle, and high-frequency energy.
We have three areas of energy that we must manage. We have low-frequency energy which is below 100 Hz. We have middle and high-frequency energy that makes up the rest of the sonic spectrum. All three energy types have different treatment requirements. We must focus on low-frequency energy first and foremost. Without proper low-frequency management, your room will never have the chance to exhibit all of the gear’s potential. Remember for every fundamental below 100 Hz. there is a corresponding harmonic above 100 Hz. that represents the middle and high-frequency energy within our room. The best way to treat low-frequency issues is within the walls themselves. You can manage the necessary rates/levels between the studs and absorb energy every 14 1/2″. That is a level of carbon absorbing wall
Two Dimensional Diffusion
Low-frequency energy management is all about sound pressure. Middle and high frequencies are all about air movement or as we say molecular velocity. Mid and high-frequency energy must be treated with technology that realizes the importance of airflow across its surface and only absorbs at the proper rates and levels required for music and voice. Music and voice are different than noise. Our goal with music and voice is to absorb just enough energy without over absorbing and creating a lifeless and dead presentation. Once mid and high-frequency energy is absorbed, it is converted to heat and lost forever. With the cost of today’s amplifiers and speakers, the last thing we want to do is to destroy energy in order to manage it.
Quadratic diffusion is a technology that can make a small room sound much larger. It can also make an already large room sound even larger. It accomplishes this magnificent feat by minimizing the impact of reflections on each wall surface area. Our quadratic diffusion technology was placed upon the front and rear walls of this two channel listening room project. One dimensional diffusion on the front wall creates a wide horizontal sound field in front of the listener that makes for a wider soundstage with more definition and resolution. Two-dimensional diffusion was placed on the rear wall to minimize the audible impact of the reflections from the rear wall to the listening position. Only real wood was used for all diffusion systems. Only real wood will produce the real tone and timbre qualities that we must have in order
Enjoy the video
One of Hollywoods most sought after mixing engineers, Brad Haehnel (Life of Pi, Ice Age, The Lego Movie), currently mixes scores for HBO, Sony & Disney using the designs from Acoustic Fields’ modular diaphragmatic absorbers and two-dimensional diffuser units. Watch Brad’s video here, maybe you can learn a thing or two from the video, enjoy !
We will be “enhancing” our set up further, by the additions of a BAD scatter plate ply in front of the acoustic absorption rockwool panel, taking the hybrid approach for best of both worlds, Low-mid-upper frequencies
Hybrid like this
This piece of scatter plate will not only diffuse mid high frequency, but acts as a pressure membrane for bass absorption down to 125hz or so…
A prototype looks like this below
Price is fantastic since we are doing it in bulk. I’ll share more details on MO soon.
Not sure where is the MO section here for discourse
It has been a while to develop the BAD scatter plate. Look like it is coming to fruition soon.
Ya we didn’t want to rush him. But pricing is fantastic. Hard to pass. Will get in more details
So far choices for wood as follows
But wil need to test first. Will be getting in some samples this weekend, will feedback soon
Ok so to break it down further, softwood will be preferred over hard wood to function as acoustic diffusors
Pine, cedar, rosewood , spruce , cherrywood, alder or maybe even MDF will be preferred if picking a choice of wood material to work as diffusors
In general, softwood is cheaper and they are more suitable for sound as it works better in the midrange frequencies and since the scatter plates function as a diffusors, there is no doubt softwood will be preferred
Softwood will resonate more to mid-low frequencies, whereas hardwood to low frequencies
In the above scenario, the falcata would be a better candidate
A warm tone in midrange frequencies are always welcomed
A quick reference
Alder is used commonly because of its light weight, most commonly in Stratocasters and electric guitars. Has an excellent clean tone. It is commonly a tan colour without many distinctive grain lines. Not a good choice for clear finishes, which is why they’re so often lacquered.
Cedar has been popular for years with classical guitarists. It responds very well to the low tension and energy of the Nylon strings to create a really warm, ‘earthy’ tone. Sometimes also seen on Steel Strung Guitars.
Rosewood is one of the heaviest woods available. Bodies made out of rosewood will be heavier than any other wood. The sound is very warm, although the high end sounds are dampened. Finishes can be a little difficult to apply. Usually reserved for fretboards only.
MDF has got more of an absorption property
Pine It’s very light weight and resonant with more mids and rounder tones in the highs.
Spruce is very soft to the touch, it is extremely stiff for it’s overall density. Like Alder, it’s another wood with a hard skeleton and soft meat. So in a solid body, it will produce tremendous resonant, open midrange, while retaining high frequency attack, and having good low end breath. Very popular across the range of guitars, particularly Sitka Spruce .
**falcata plywood” no idea ! It’s a type of plywood. Plywood’s are manufactured woods, so it’s hard to know how it’s going to sound. But it’s more to being softwood
Although the choice for wood makes a difference, the ultimate most important factor is the mathematical sequence in which the holes are being drilled into the BAD panels and its backing and of course its placement
More to share along the way as we implement them
I didn’t realise my SMT wings Diffusors behind MLP is now being taken advantage of as “ free parking for files and books” for the kids
Wahhh anyhow park, later I need to Saman !
Extra wing for acoustics